| ~: Discovery :~ | ||
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The goal of etymology is to trace a modern word through the history of words to find
the root language sound which conveys the true sense the word. 
For example, each
of the modern words written: "tack," "whack," "ax," "access," and: "fact," involves the pronunciation of the letter pattern written: "ak." The ancient language sound written: "ak," was found to note the perceptually related definitions: "sharp," and: "point." One may notice within the naturally sensed definition: 'sharp when touched,' that the shape which one senses as: "sharp," is now seen as: 'finishing at a point.' The sense of both: "sharp," and: "point," may be noticed as .sensible. dimensions involved in the mental image developed as one imagines each dictionary definition . given for the modern words written: "tack," "whack," "ax," "access," and "fact." . .
..... Another study shows the sound pattern written: "eghz," notes the sense of: "out." One may notice a transition of focus within the natural definition of: 'sharp point,' as one begins to see that the sharp end is now showing: "out." One's mental image ad- justs within the sensed definition in accordance with the shift of orientation from the naturally bound dimensions: 'sharp~point,' to the perceptually related dimension: "out." This natural mental modification is noted in language as the vocal modification from "ak" to "eghz." Mentally assembling the dimensions: "out," and: 'sharp~point,' ['eghz + ak'] develops the true sense that is made when the word: "exact," is made to match the actual sense of the observation: 'This is equal to that.' As 'this meets .that: out - (at a) sharp~point,' the sensed equality of the relation is "eghz-ak(t)."
Seeing this coordination provided an insight into the relationship between words and the workings of the mind. The makeup of the sound pattern of a word really effects the dimensional development of a true mental image of a factual experience; and modifying the sound pattern modifies the dimensions assembled in the imagination. |
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